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The Penguin Guide to Recorded Classical Music 2009


Product Details


This has remained the best and most successful guide to classical music for more than forty years. Fully revised by its team of eminent authors and written with wit and passion, The Penguin Guide to Recorded Classical Music offers reviews of all the latest releases as well as the finest established recordings. It also includes an overview of the greatest historic performances, major period instrument recordings, an in-depth survey of the best of the budget-priced CDs, and the core collection of 100 handpicked, must-have CDs. Now published annually for the first time, this book is essential reading for every serious classical music fan.

Product Reviews


(5 stars) - Penugin Vs Gramaphone Classical Music Guides
Truth be told there just are not that many good classical music guides to choose from. In terms of scope the Gramophone Guide is second to the Penguin. In my humble opinion, if you're serious about building or adding to an existing collection of classical CDs and DVDs you will own the Gramaphone as well as the Penguin Guide simply due to its more comprehensive scope as there are works (e.g., Beethoven's Overtures to name but one example) that are not covered in the "Good".

The Good Guide, like the Penguin, originates from the U.K. Some reviewers feel both these guides have a bias towards British artists. While to some extent this is true, it's not what other reviewers make it out to be and there are countless number of non-British recordings that are highly recommended in these pages. Besides, to my knowledge, one really doesn't have much choice because outside of the Penguin and the Good Guides a comprehensive guide for purchasing classical music is not available. There is the "Third Ear" but is does not come close to the high standard of these two publications. In fact, I have found the Third Ear to be far more biased AGAINST British recordings than these two guides are biased for them. If you're a complete beginner, the NPR Guide by Ted Libbey is an excellent place to start, although it is weak with resepct to opera, and it can't be accused of a British bias.

Gramophone Magazine is the only respectable periodical I've found that gives updated reviews and information about the latest in classical music recordings. The "Gramaphone" Guide is issued by the editors of Gramophone. While I prefer the Penguin I also purchase the Gramophone Guide. After being a subscriber to Gramophone Magazine for the past 5 or 6 years I've been so impressed with their recommendations that it is a logical purchase for me.

I've perused the pages of the Gramophone Guide and found a lot of agreement between it and the Penguin. Certain recordings are obvious recommendations and usually both these guides lead the buyer to owning certain "masterpiece" recordings. Both guides provide professional reviews of many of the avialble purchases for a given piece. Both provide great descriptions of many of the subtleties of given recordings and how the performers interpret the music. These descriptions make it easy to compare and contrast recordings and will help one become a more discerning listener.

If you love opera, you're in for a real treat. In addition to being season ticket holders to the Seattle Symphony and Pacific Northwest Ballet, we also have season seats to the Seattle Opera. I use these guides to make sure I own the music for whatever it is we will be hearing and "seeing" in our upcoming seasons. For Opera Lovers, the DVD recommendations are great to have. Now, in addition to having the best CDs of a given opera, I am now able to confidently purchase outstanding DVDs of the operas we'll be attending. If you go to live classical music performances of any kind, being able to familiarize yourself with what you'll be hearing before you attend the performance only leads to enhancing the performance.

As you can tell, I am very pleased with both the Penguin and Gramaphon Guides. Once you're really serious about compiling a CD/DVD collection, I'm confident you'll feel the same. These books will become your trusted advisors and you'll look forward to replacing them as they're updated.

Again, if you're really just starting out, you're fine with the NPR Guide (350 Essential Works) to begin with. It is refreshingly brief in scope and will get you the base you need for your collection and you'll be pleased with your recommendations. A great example is Libbey's recommendation of the Leon Fleisher/George Szell recordings of the Beethoven Piano Concertos. These recordings are phenomonal treasures at bargain prices!

Once you really get into classical music listening as a part of your life, and your "being" so to speak, it won't be long before you'll realize you'll want more. Owning these two guides will make you smarter about the music you're listening to and you'll be proud of your collection of excellent recordings.

In closing I want to express my belief in my credentials to make a recommendation to prospective buyers of these Guides. I am 55 years old. At age 5 I began piano study with Edith Knox in Los Angeles. Ms. Knox, a Juliard graduate, studied piano with Alexander Ziloti. Ziloti was a pupil of Franz Liszt. Ms. Knox premiered the Ravel Piano Concerto in G at the Hollywood Bowl with the L.A. Philharmonic Orchestra in, I think, 1936. I continued to study with Ms. Knox into my early twenties afterward, I studied with Reginald Stewart at the Music Academy of the West in Santa Barbara. In college I majored in composition and piano and for four years was the student representative for the Los Angeles Philharmonic Orchestra. For the past 30 years I've continued listening to classical music for countless hours each and every week of my life. I now continue to study piano with Celia Chandler in Mt. Vernon, WA. Mrs. Chandler is a protege of the great Maestro Leon Fleischer. She studied under scholarship with him at the Peabody School of music and at age 14 performed with the Atlanta Symphony Orchestra.


I only provide this bit of autobiographical information so you know that I've got a solid foundation in, and more importantly love, of classical music and consider myself a lifelong student of the genre. Even though I'm an avid reader, I don't feel as though I'm qualified to be a literary critic to the same extent that I have developed a discerning ear with regard to classical music listening. Accordingly, based upon my personal life experiences in classical music I think I am qualified to write a review about classical music guides. Buy these with guides with confidence. There is no perfect book for building a classical music collection but these two are the best available.

Happy listening!



(4 stars) - One extra star for DVD reviews
I have been buying The Penguin Guide every two or three years for the past 20 years or so, and I agree that the quality has declined. I think other reviewers have done a good job of covering strengths and weakness of the Penguin Guide, and pointing out some other good guides, especially the Third Ear guide, which I consider to be the best, although woefully out-of-date.

However, I think one very important factor in Penguin's favor is the large number of DVD reviews. I'm not aware of any other source that has anywhere near this number of classical DVD reviews. I find myself buying fewer and fewer operas, oratorios or ballets on CD, preferring to have a good DVD performance if it exists. I find that between the Penguin reviews, and being able to preview many classical music performances on Netflix, I am often able to do some pretty good research before I spend my hard-earned dollars on a DVD.

Here's hoping for some improvements in the Penguin Guide, and a new edition of the Third Ear Classical Music Guide.



(5 stars) - How could it happen?
How could any guide to recorded classical music dated 2009, and totalling over 1500 double-columned pages, justifiably ignore without a single word pro or con the extraordinary set of complete Beethoven piano sonatas recorded in the past few years by Andras Schiff? Amazing, but still, where would we all be if one blind spot labeled us eyeless.



(3 stars) - Not the same as it used to be
The Penguin Guide has sat on my shelf every year since 1985 and each edition proved valuable in selecting recordings. With the advent of the internet and places like here, on Amazon, reviews by the masses are everywhere and "The Guide" has not yet learned how to keep up. The number of reviews for specific works has dwindled and the guide seems partial to certain performers (you will always find a high review for anything Joan Sutherland did). It's still a viable resource but should be used in conjunction with other review sites for it to be most effective.



(5 stars) - Penguin Guide....a necessity!
Absolute must for classical music listeners & has been for many years. Still the best source for reviews. Dont leave home without it!!



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