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Product Details The follow-up to 2007's critically acclaimed and Domino debut "Rise Above". Their fifth release is a big rock album by design. Its idiosyncratic and sincere take on popular music is reminiscent of David Byrne with whom Dirty Projectors collaborated on "Knotty Pine" for the 2009 compilation "Dark Was The Night". In many ways, group leader David Longstreth could be seen as this generation's answer to Byrne, a distinctive torchbearer of labyrinthine song arrangements that go down easy.
Product Reviews (1 stars) - Unlistenable After seeing this album get nearly universal acclaim from the critics, I figured it was worth listening to to see what the fuss was about. So I gave it a full listen, expecting to find it at least somewhat enjoyable. Unfortunately, I found it totally unappealing and actually very annoying. It is definitely true that the songs on the album are inventive and experimental, and if you're mostly just looking for something different, you might like this. But for me, the aesthetic doesn't work at all.
David Longstreth takes a kitchen sink approach to production, throwing in what sounds like every possible thing he can think of. He seems to be trying very hard to make the songs interesting to listen to, incorporating multiple vocalists who sing in different styles all at once, unusual rhythmic variations against a standard melodic line, and all sorts of other things floating around all over the place. While, in theory, that could sound pretty cool, what this results in here is sort of the sonic equivalent of taking tofu fried in soybean oil, covering that with marinara sauce, slicing in some kiwi, drizzling some truffle oil over all that, and then adding a few dashes of fish sauce and a cup of cold chocolate milk.
Even "Stillness is the Move," the song on the album that most resembles a single, suffers from an overall sense of clutter and sloppiness. While the female singers give a strong performance, there is just too much going on, and the mix of all that is too raw and unfocused for the song to ever truly gel.
My musical tastes in general tend to veer towards the alternative and odd, but this album just doesn't work for me at all. Clearly some people do seem to love it, so if you too are intrigued by the amazing reviews this often gets, try to preview some full songs before buying the whole thing.
(5 stars) - one of those albums that grows... and grows... and grows in you. Almost every track is superb. the changes in rhythm patterns are amazing. Temecula Sunrise is full of them. I've been listening carefully since it came out in june just after i saw them play at bonnaroo and was impressed. The sounds are something that can hardly be achieved these days: they're like nothing you've ever heard before.
All the records before this one were good and Rise Above from 2007 came close to being their best, but it was, after all, just covers. Now we're in full swing. Dirty Projectors is rising above.
Highlights: Two Doves (I actually like to shift the tracks around placing Two Doves at the very beginning), Temecula Sunrise, Remade Horizon, Fluorescent Half Dome, Cannibal Resource
(4 stars) - Makes good strides toward the future of music Bitte Orca is very likely to appear in the top albums of 2009. I agree.
The album presents many musical concepts that are innovative, creative, and catchy. For instance, guitar riffs are very rarely trite or predictable. Melodies are very rarely structured so that the listener is able to hum them after only a listen or two. Meter is unpredictable and yet extremely interesting with all of its syncopation and surprises. Familiar harmonic structure is sparse and creates a very disconnected feel in almost every track. These components together challenge many ingrained concepts of music, and it makes it extremely interesting to truly listen to. Because of these challenges that it presents I do believe it is making strides to creating new styles, encouraging creativity, etc., and deserves to be recognized as one of the best albums of 2009.
However, because the album presents so many complex ideas and so many changes in meter and structure so rapidly it is not likely to become one of the most coherent albums of all time. Like Radiohead, Dirty Projectors present so many new concepts and challenges to what is expected that often the coherency of the ideas, melodies, and lyrics are difficult to perceive (not impossible, just difficult). I believe that like Radiohead, many bands will benefit from taking examples from Dirty Projectors and will most likely become more successful than their predecessors when the original ideas are watered down for mainstream music.
(5 stars) - Music At Its Best I was instantly interested in this album from the first listen of its opening track "Cannibal Resource". I'd never heard of this band beforehand, better late than never though. I've listened through the complete album dozens of times through, it is short and sweet, tight and mighty, always a pleasure.
There's a lot of positive things being said about the album, and rightly so as it is excellent... just don't expect the hand of God to personally touch you through the speakers, it is only music, though at some of its best.
I enjoy listening to the album while laying down with my eyes closed, it is a joy to contemplate each note, each time signature shift, each turn of glorious harmonizing. I have nothing else to say other than just go in open to the music. Us humans have the tendency to be very critical of music we've never before heard... let it do with your ears what it wants.
(1 stars) - I tried... If this is indeed their "most accessible" album, then I'll throw in the towel right now. I've heard so many amazing things about Dirty Projectors, but after 2 listens, I was more annoyed than anything. One shouldn't have to TRY to enjoy something, and maybe that's my loss, but in the meantime I've got a 'Bitte Orca' cd to give away to someone who wants it.
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