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Gramophone Classical Good CD, DVD & Download Guide 2007 (Classical Good CD, DVD, & Download Guide) (Gramophone Classical Music Guide)


Product Details


With more classical recordings available than ever before - and hundreds of downloads appearing on the web each week - this single volume is the essential guide both for the enthusiasts seeking the greatest performances of the greatest works, and for experienced collectors extending the range and depth of their knowledge. Compiled and written by classical music's most respected experts, unmatched authority combines with the standards of clarity and ease of use in this fully updated edition of the world-famous guide. -Over 3000 up-to-date reviews of currently available CDs -Features a definitive star rating for the best recordings available -An expanded DVD review section featuring details of concerts, opera, historic recordings and documentaries -An introduction to downloading classical music -Includes more composers than any other guide, each with an authoritative biography

Product Reviews


(4 stars) - Dollar for Dollar, the Most Help for Your Money
The Good CD Guide, simply, is the most helpful of the "Big" CD Guides out there. While I DO also consider it "too much" for the novice...the edgy, unknown composers are so numerous, that over half the book will probably not be used by the novice, and I find this a great waste, both of the purchaser's money, and also, of trees. (I have become very conscious these past few years on how much we waste...think newspapers! What gets wasted every Sunday alone....!)

So, with that said, I will also recommend as an alternative for the novice, perhaps the Rough Guide to Classical Music, or the NPR Guide as perhaps better geared for their needs. ~operabruin



(5 stars) - Review of "Good" and Penguin Classical CD Guides
Truth be told there just are not that many good classical music guides to choose from. In terms of scope the Good Guide is second to the Penguin. In my humble opinion, if you're serious about building or adding to an existing collection of classical CDs and DVDs you will own the "Good" book. You'll also own the Penguin Guide simply due to its more comprehensive scope as there are works (e.g., Beethoven's Overtures to name but one example) that are not covered in the "Good".

The Good Guide, like the Penguin, originates from the U.K. Some reviewers feel both these guides have a bias towards British artists. While to some extent this is true, it's not what other reviewers make it out to be and there are countless number of non-British recordings that are highly recommended in these pages. Besides, to my knowledge, one really doesn't have much choice because outside of the Penguin and the Good Guides a comprehensive guide for purchasing classical music is not available. There is the "Third Ear" but is does not come close to the high standard of these two publications. In fact, I have found the Third Ear to be far more biased AGAINST British recordings than these two guides are biased for them. If you're a complete beginner, the NPR Guide by Ted Libbey is an excellent place to start and it can't be accused of a British bias.

Gramophone Magazine is the only respectable periodical I've found that gives updated reviews and information about the latest in classical music recordings. The "Good" Guide is issued by the editors of Gramophone. This is the first year I bought the Good Guide as I've been content with the Penguin. However, after being a subscriber to Gramophone Magazine for the past 3 years I've been so impressed with their recommendations that it was a logical purchase for me.

I've perused the pages of the Good Guide and found a lot of agreement between it and the Penguin. Certain recordings are obvious recommendations and usually both these guides lead the buyer to owning certain "masterpiece" recordings. Both guides provide professional reviews of many of the avialble purchases for a given piece. Both provide great descriptions of many of the subtleties of given recordings and how the performers interpret the music. These descriptions make it easy to compare and contrast recordings and will help one become a more discerning listener.

If you love opera, you're in for a real treat. In addition to being season ticket holders to the Seattle Symphony and Pacific Northwest Ballet, we also have season seats to the Seattle Opera. I use these guides to make sure I own the music for whatever it is we will be hearing and "seeing" in our upcoming seasons. For Opera Lovers, the DVD recommendations are great to have. Now, in addition to having the best CDs of a given opera, I am now able to confidently purchase outstanding DVDs of the operas we'll be attending. If you go to live classical music performances of any kind, being able to familiarize yourself with what you'll be hearing before you attend the performance only leads to enhancing the performance.

As you can tell, I am very pleased with both the Penguin and Good Guides. Once you're really serious about compiling a CD/DVD collection, I'm confident you'll feel the same. These books will become your trusted advisors and you'll look forward to replacing them as they're updated.

Again, if you're really just starting out, you're fine with the NPR Guide (350 Essential Works) to begin with. It is refreshingly brief in scope and will get you the base you need for your collection and you'll be pleased with your recommendations. A great example is Libbey's recommendation of the Leon Fleisher/George Szell recordings of the Beethoven Piano Concertos. These recordings are phenomonal treasures at bargain prices!

Once you really get into classical music listening as a part of your life, and your "being" so to speak, it won't be long before you'll realize you'll want more. Owning these two guides will make you smarter about the music you're listening to and you'll be proud of your collection of excellent recordings.

In closing I want to express my belief in my credentials to make a recommendation to prospective buyers of these Guides. I am 52 years old. At age 5 I began piano study with Edith Knox in Los Angeles. Ms. Knox, a Juliard graduate, studied piano with Alexander Ziloti. Ziloti was a pupil of Franz Liszt. Ms. Knox premiered the Ravel Piano Concerto in G at the Hollywood Bowl with the L.A. Philharmonic Orchestra in, I think, 1936. I continued to study with Ms. Knox into my early twenties afterward, I studied with Reginald Stewart at the Music Academy of the West in Santa Barbara. In college I majored in composition and piano and for four years was the student representative for the Los Angeles Philharmonic Orchestra. For the past 30 years I've continued listening to classical music for countless hours each and every week of my life. I now continue to study piano with Celia Chandler in Mt. Vernon, WA. Mrs. Chandler is a protege of the great Maestro Leon Fleischer. She studied under scholarship with him at the Peabody School of music and at age 14 performed with the Atlanta Symphony Orchestra.


I only provide this bit of autobiographical information so you know that I've got a solid foundation in, and more importantly love, of classical music and consider myself a lifelong student of the genre. Even though I'm an avid reader, I don't feel as though I'm qualified to be a literary critic to the same extent that I have developed a discerning ear with regard to classical music listening. Accordingly, based upon my personal life experiences in classical music I think I am qualified to write a review about classical music guides. Buy these with guides with confidence. There is no perfect book for building a classical music collection but these two are the best available.

Happy listening!



(5 stars) - gramophone classical good cd, dvd & download guide 2007 by James Jolly
Excellent publication; if you are a classical music lover and you are building up your library, this is the reference book for you. Clear, concise information on your favorites and works you may be tempted to try for the first time! Great to see DVD and downloads also included.



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